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The gilded page : the social lives of medieval manuscripts  Cover Image Book Book

The gilded page : the social lives of medieval manuscripts / Mary Wellesley.

Summary:

"The Gilded Page is the story of the written word in the pre-Gutenberg age. Ranging from the earliest intact book in Europe, to the only known literary manuscript to be written in Shakespeare's hand, scholar Mary Wellesley reveals the secret lives of these literary and artistic treasures. Traipsing through the remarkable history, she recounts fires (the only surviving Beowulf manuscript is singed at its edges, losing a bit of its matter every decade) and threats ("this is Elisabeth Danes's book / he that steals it shall be hanged by the neck," reads the marginalia in one treasured text). Some manuscripts were designed to reinforce power-like the psalter commissioned by Henry VIII, with a bold illustration of David fighting Goliath, the king's likeness as David's and his archnemesis Pope Paul III's face drawn on Goliath. Some survive and remain celebrated because of an author's political connections-we have so much of Chaucer's writings, and thus study and revere them, because he was a government official first, a poet second. And although work identified with men was more likely to survive through time, some of the most beguiling and beautiful texts were created by women. Many have been lost, like Julian of Norwich's Revelations of Divine Love. Yet others are relatively recent discoveries, like the manuscript of illiterate Margery Kempe, found in a country house closet by a family searching for ping pong balls, the book's cover nibbled on by mice. But all these objects have their secrets, and their creation and survival tell us much about power and art, knowledge and beauty. Today we associate illuminated manuscripts with wealthy elites, but they were made by ordinary people: the grinders and binders, the scribes and rubricators. We remember the patrons and the authors, but these objects have been much altered-text embroidered by upstart scribes, mistakes made in copying poems, whole chapters lost to time-and our literary inheritance is one of collective authorship. Rich, dazzling, and passionately told, Untitled is a tribute to some of the most exquisite objects ever made by human hands"-- Provided by publisher.

Record details

  • ISBN: 9781541675087
  • ISBN: 1541675088
  • Physical Description: 352 pages ; 22 cm
  • Edition: First edition.
  • Publisher: New York : Basic Books, 2021.

Content descriptions

Bibliography, etc. Note:
Includes bibliographical references and index.
Formatted Contents Note:
Introduction -- Prologue: The Alchemy of Parchment -- Discoveries -- Near Disasters -- Patrons -- Artists -- Scribes -- Authors & Scribes -- Authors Hidden -- Epilogue: The Death of the Manuscript -- Afterword: Uses & Abuses of the Past.
Subject: Manuscripts, Medieval > England > History.
Transmission of texts > Social aspects > England > History.
English literature > Old English, ca. 450-1100 > History and criticism.
English literature > Middle English, 1100-1500 > History and criticism.
Illumination of books and manuscripts, Medieval > England.
Marginalia > England > History.

Available copies

  • 2 of 2 copies available at Missouri Evergreen. (Show)
  • 1 of 1 copy available at Cass County.

Holds

  • 0 current holds with 2 total copies.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Cass County Library-Archie 091.0942 WEL 2021 (Text) 0002205422187 Adult Non-Fiction Available -

LDR 03797cam a2200421Ii 4500
0014220104
003ME
00520210728101315.0
008210602s2021 nyu e b 001 0 eng
010 . ‡a 2021004832
020 . ‡a9781541675087 ‡q(hardcover)
020 . ‡a1541675088
035 . ‡a(OCoLC)1237345704
040 . ‡aDLC ‡beng ‡erda ‡cDLC ‡dOCLCO
042 . ‡apcc
043 . ‡ae-uk-en
08200. ‡a091.0942 ‡223
1001 . ‡aWellesley, Mary, ‡d1986- ‡eauthor. ‡0(ME)767490
24514. ‡aThe gilded page : ‡bthe social lives of medieval manuscripts / ‡cMary Wellesley.
250 . ‡aFirst edition.
263 . ‡a2110
264 1. ‡aNew York : ‡bBasic Books, ‡c2021.
300 . ‡a352 pages ; ‡c22 cm
336 . ‡atext ‡btxt ‡2rdacontent
337 . ‡aunmediated ‡bn ‡2rdamedia
338 . ‡avolume ‡bnc ‡2rdacarrier
504 . ‡aIncludes bibliographical references and index.
5050 . ‡aIntroduction -- Prologue: The Alchemy of Parchment -- Discoveries -- Near Disasters -- Patrons -- Artists -- Scribes -- Authors & Scribes -- Authors Hidden -- Epilogue: The Death of the Manuscript -- Afterword: Uses & Abuses of the Past.
520 . ‡a"The Gilded Page is the story of the written word in the pre-Gutenberg age. Ranging from the earliest intact book in Europe, to the only known literary manuscript to be written in Shakespeare's hand, scholar Mary Wellesley reveals the secret lives of these literary and artistic treasures. Traipsing through the remarkable history, she recounts fires (the only surviving Beowulf manuscript is singed at its edges, losing a bit of its matter every decade) and threats ("this is Elisabeth Danes's book / he that steals it shall be hanged by the neck," reads the marginalia in one treasured text). Some manuscripts were designed to reinforce power-like the psalter commissioned by Henry VIII, with a bold illustration of David fighting Goliath, the king's likeness as David's and his archnemesis Pope Paul III's face drawn on Goliath. Some survive and remain celebrated because of an author's political connections-we have so much of Chaucer's writings, and thus study and revere them, because he was a government official first, a poet second. And although work identified with men was more likely to survive through time, some of the most beguiling and beautiful texts were created by women. Many have been lost, like Julian of Norwich's Revelations of Divine Love. Yet others are relatively recent discoveries, like the manuscript of illiterate Margery Kempe, found in a country house closet by a family searching for ping pong balls, the book's cover nibbled on by mice. But all these objects have their secrets, and their creation and survival tell us much about power and art, knowledge and beauty. Today we associate illuminated manuscripts with wealthy elites, but they were made by ordinary people: the grinders and binders, the scribes and rubricators. We remember the patrons and the authors, but these objects have been much altered-text embroidered by upstart scribes, mistakes made in copying poems, whole chapters lost to time-and our literary inheritance is one of collective authorship. Rich, dazzling, and passionately told, Untitled is a tribute to some of the most exquisite objects ever made by human hands"-- ‡cProvided by publisher.
650 0. ‡aManuscripts, Medieval ‡zEngland ‡xHistory.
650 0. ‡aTransmission of texts ‡xSocial aspects ‡zEngland ‡xHistory.
650 0. ‡aEnglish literature ‡yOld English, ca. 450-1100 ‡xHistory and criticism. ‡0(ME)295645
650 0. ‡aEnglish literature ‡yMiddle English, 1100-1500 ‡xHistory and criticism. ‡0(ME)295571
650 0. ‡aIllumination of books and manuscripts, Medieval ‡zEngland. ‡0(ME)762208
650 0. ‡aMarginalia ‡zEngland ‡xHistory.
904 . ‡aMARCIVE 2021
994 . ‡aZ0 ‡bMJ8
901 . ‡a4220104 ‡bAUTOGEN ‡c4220104 ‡tbiblio

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