Through the pained yet resilient narration of 15-year-old Lina, a gifted artist, this taut first novel tells the story of Lithuanians deported and sent to Siberian work camps by Stalin during WWII. From the start, Sepetys makes extensive use of foreshadowing to foster a palpable sense of danger, as soldiers wrench Lina's family from their home. The narrative skillfully conveys the deprivation and brutality of conditions, especially the cramped train ride, unrelenting hunger, fears about family members' safety, impossible choices, punishing weather, and constant threats facing Lina, her mother, and her younger brother. Flashbacks, triggered like blasts of memory by words and events, reveal Lina's life before and lay groundwork for the coming removal. Lina's romance with fellow captive Andrius builds slowly and believably, balancing some of the horror. A harrowing page-turner, made all the more so for its basis in historical fact, the novel illuminates the persecution suffered by Stalin's victims (20 million were killed), while presenting memorable characters who retain their will to survive even after more than a decade in exile. Ages 12-up. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.

Gr 8 Up-This novel is based on extensive research and inspired by the author's family background. Told by 15-year-old Lina, a Lithuanian teen with penetrating insight and vast artistic ability, it is a gruesome tale of the deportation of Lithuanians to Siberia starting in 1939. During her 12 years there, Lina, a strong, determined character, chronicles her experiences through writings and drawings. She willingly takes chances to communicate with her imprisoned father and to improve her family's existence in inhuman conditions. Desperation, fear, and the survival instinct motivate many of the characters to make difficult compromises. Andrius, who becomes Lina's love interest, watches as his mother prostitutes herself with the officers in order to gain food for her son and others. To ward off starvation, many sign untrue confessions of guilt as traitors, thereby accepting 25-year sentences. Those who refuse, like Lina, her younger brother, and their mother, live on meager bread rations given only for the physical work they are able to perform. This is a grim tale of suffering and death, but one that needs telling. Mention is made of some Lithuanians' collaboration with the Nazis, but for the most part the deportees were simply caught in a political web. Unrelenting sadness permeates this novel, but there are uplifting moments when the resilience of the human spirit and the capacity for compassion take over. This is a gripping story that gives young people a window into a shameful, but likely unfamiliar history.-Renee Steinberg, formerly at Fieldstone Middle School, Montvale, NJ (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

"THEY took me in my nightgown." The opening sentence of this superlative first novel by Ruta Sepetys demonstrates the strength of its unembellished language. Thus, 15-year-old Lina Vilkas, along with her mother and younger brother, is deported from her Lithuanian home by the Soviet secret police in 1941, and begins a cattle-car journey through a series of forced-labor camps that will span 12 years and 6,500 miles. In the 1930s and '40s, Josef Stalin's regime killed tens of millions of people, a number so large that the mind tends to shunt it off into the abstract space reserved for statistics. "Between Shades of Gray" tells the individual's story that makes such cold facts meaningful. Apart from a few overly dramatic metaphors, Lina recounts her story with a straightforward clarity that trusts readers to summon images of starvation, disease and death, and grounds them in a reality young adults can understand. After 15 months of forced labor in Siberia, Lina's journey ends at the very edge of the world: Trofimovsk, on the Laptev Sea well beyond the Arctic Circle, where the brutal climate worsens already unbearable conditions. (A timeline and two frontispiece maps showing the route will be especially helpful to readers unfamiliar with Stalinist Russia.) Lina's family and other prisoners are forced to build barracks for the armed Soviet guards and to construct their own shelters from scrap and driftwood: "It looked like something a child would make in the dirt. And we had to live in it." Flashbacks in italics provide glimpses of Lina's life before the genocide in an educated middle-class milieu (her father was a university professor). We learn about family and friends through Lina's eyes, and even minor characters are convincingly portrayed through their dialogue and actions. Readers also discover the extent of the tragedy. They witness the Soviet invasion of the Baltic States, with the subsequent murder of millions and the displacement of millions more. And they learn that many survivors were forced into the impossible position of supporting Hitler, compelled by their fear and hatred of Stalin. Yet Sepetys adroitly holds the exposition of complex political events to a minimum, and short chapters allow for the psychological deep breaths necessary when reading about relentless atrocity. As expected in Y.A. fiction, Lina has both a love interest and a special skill. Her relationship with another refugee is one of attraction amid desperation, their physical desire tamped down only by the limits of their emaciated, louse-ridden bodies. Lina's talent for drawing likewise plays a role: in her attempts to get a coded message to her father; in the assignments she is given by her Soviet captors for map-copying and portraiture; in the flashbacks to her life as a promising art student. While Sepetys takes care not to overwhelm readers with endless accounts of murder, the miasma of death hangs over Lina's journey, and a wrenching loss near the end delivers a hefty emotional punch. An epilogue answers certain questions a bit too neatly, but the story that precedes it holds a messier and more powerful reality, for both Lina and for her country. Linda Sue Park's most recent book is the novel "A Long Walk to Water."

In 1939, the Soviet Union annexed the Baltic nations, which then disappeared from maps, not to reappear until 1990. Teachers, librarians, musicians, artists, writers, business owners, doctors, lawyers, and servicemen were considered anti-Soviet and sent into exile. Esther Hautzig told this story in her seminal 1968 memoir The Endless Steppe; Sepetys's even starker novel is more extreme in its depiction of deprivation and suffering. When in June 1941 the Soviet secret police show up at fifteen-year-old Lina Vilkas's Lithuania home and throw Lina, her younger brother, and their mother onto a train, a decade-long nightmare begins. "Like matchsticks in a small box," forty-six people were crammed into their car, "a cage on wheels, maybe a rolling coffin" bound for the vast nothingness of Siberia. So begins a human drama calling forth the best and worst of human behaviors -- courage, anger, fear, confusion, little kindnesses, and egregious selfishness. The bald man with the broken leg whines and complains, while the librarian organizes the children and tells stories, and all along the way Lina's mother keeps her family together. Sepetys creates complicated characters: there's more to the bald man than whining and complaining, and the young NKVD guard Nikolai proves not to be the monster Lina considers him. Two excellent maps and an informative author's note round out a haunting chronicle, demonstrating that even in the heart of darkness "love is the most powerful army." dean Schneider (c) Copyright 2011. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

*Starred Review* Sepetys' first novel offers a harrowing and horrifying account of the forcible relocation of countless Lithuanians in the wake of the Russian invasion of their country in 1939. In the case of 16-year-old Lina, her mother, and her younger brother, this means deportation to a forced-labor camp in Siberia, where conditions are all too painfully similar to those of Nazi concentration camps. Lina's great hope is that somehow her father, who has already been arrested by the Soviet secret police, might find and rescue them. A gifted artist, she begins secretly creating pictures that can she hopes be surreptitiously sent to him in his own prison camp. Whether or not this will be possible, it is her art that will be her salvation, helping her to retain her identity, her dignity, and her increasingly tenuous hold on hope for the future. Many others are not so fortunate. Sepetys, the daughter of a Lithuanian refugee, estimates that the Baltic States lost more than one-third of their populations during the Russian genocide. Though many continue to deny this happened, Sepetys' beautifully written and deeply felt novel proves the reality is otherwise. Hers is an important book that deserves the widest possible readership.--Cart, Michael Copyright 2010 Booklist